Judith and her maid pin Holofernes to a bed while Judith saws through his neck with a sword.
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Judith and her maid pin Holofernes to a bed while Judith saws through his neck with a sword.

Artemisia Gentileschi, Judith Slaying Holofernes, c. 1612–1613

Baroque / Caravaggism · The act

Judith Slaying Holofernes

Artemisia Gentileschi 1593–after 1654

c. 1612–1613

Gallery label

Two women work together at arm's length. Compressed space, crossed forearms, and bodily leverage make coordinated force the engine of the scene.

Look closely

The composition knots around Holofernes's raised arm. Judith's sword presses horizontally while her maid bears down from above; their sleeves lock into one mechanism.

Why this Judith matters

Biography matters to reception, but composition, Caravaggesque source, workshop development, patronage, and the later revision demand equal attention.

Sources for this record:Capodimonte object essay ↗

“Two women work together at arm's length. Compressed space, crossed forearms, and bodily leverage make coordinated force the engine of the scene.”

Narrative index

Primary catalogue placement: the act, Judith 13:6–8. The index organizes comparison; it does not claim that every visual detail comes from those verses or that the work touches only one episode.

Text and evidence

The passage behind the image

See the verses in parallel public-domain translations, then return to ask what the artist has omitted, moved, or invented.

Read Judith 13:6–8 →

Image information

Artwork public domain; source marks the digital file public domain or PD-Art, but status may differ by jurisdiction

Museo e Real Bosco di Capodimonte, via Wikimedia Commons

Image reuse: Public-domain source assessment (jurisdiction varies)