Judith in a splendid silver dress holds Holofernes's head by the hair while a maid looks outward behind her.
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Judith in a splendid silver dress holds Holofernes's head by the hair while a maid looks outward behind her.

Cristofano Allori, Judith with the Head of Holofernes, 1610–1612

Baroque · Display of the head

Judith with the Head of Holofernes

Cristofano Allori 1577–1621

1610–1612

Gallery label

Allori turns the aftermath into a polished double portrait, long read through the artist's romantic life but never exhausted by that anecdote.

Look closely

The head hangs at the picture plane, gray flesh answering Judith's cold satin. Her hand converts weight into display while the maid's gaze breaks the exchange.

Why this Judith matters

The autobiographical tradition shows how readily Judith could absorb the emotional voltage of portraiture, whether or not biography governs the painting.

Sources for this record:Uffizi Galleries, Palazzo Pitti record ↗

“Allori turns the aftermath into a polished double portrait, long read through the artist's romantic life but never exhausted by that anecdote.”

Narrative index

Primary catalogue placement: display of the head, Judith 13:14–16. The index organizes comparison; it does not claim that every visual detail comes from those verses or that the work touches only one episode.

Text and evidence

The passage behind the image

See the verses in parallel public-domain translations, then return to ask what the artist has omitted, moved, or invented.

Read Judith 13:14–16 →

Image information

Artwork public domain; photograph and this WebP adaptation are offered under CC BY-SA 4.0

Photograph by Sailko, Wikimedia Commons

Image reuse: CC BY-SA 4.0 · license text ↗