Torchlight catches Judith and her maid as they secure Holofernes's head in a basket during their escape.
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Torchlight catches Judith and her maid as they secure Holofernes's head in a basket during their escape.

Antiveduto Gramatica, Judith with the Head of Holofernes, 1610s

Baroque / Caravaggism · Escape from the camp

Judith with the Head of Holofernes

Antiveduto Gramatica 1571–1626

1610s

Gallery label

The killing is over, but danger is not. A torch catches two women mid-escape, converting aftermath into nocturnal suspense.

Look closely

Reflected light runs across Judith's sleeve while the maid remains close, basket and head between them. Darkness is not backdrop but cover.

Why this Judith matters

Caravaggesque light supports a political and collective reading without showing the blade in motion.

Sources for this record:Nationalmuseum record ↗

“The killing is over, but danger is not. A torch catches two women mid-escape, converting aftermath into nocturnal suspense.”

Narrative index

Primary catalogue placement: escape from the camp, Judith 13:9–12. The index organizes comparison; it does not claim that every visual detail comes from those verses or that the work touches only one episode.

Text and evidence

The passage behind the image

See the verses in parallel public-domain translations, then return to ask what the artist has omitted, moved, or invented.

Read Judith 13:9–12 →

Image information

Public domain; Nationalmuseum Open Access

Nationalmuseum, Stockholm

Image reuse: Public-domain source assessment (jurisdiction varies)