A small thirteenth-century Paris Bible leaf contains an initial in which Judith bends over Holofernes with a sword.
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A small thirteenth-century Paris Bible leaf contains an initial in which Judith bends over Holofernes with a sword.

Leber Group workshop, Leaf from a Latin Bible: Initial A and Initial A: Judith Beheading Holofernes, c. 1230–1240

Gothic manuscript illumination · The act

Leaf from a Latin Bible: Initial A and Initial A: Judith Beheading Holofernes

Leber Group workshop active c. 1230–1240

c. 1230–1240

Gallery label

A Paris Bible makes Judith tiny but immediate: the sword crosses the initial while the sacred text continues around her.

Look closely

Two compact columns leave little room for narrative, yet the lower historiated initial holds bed, victim, heroine, and sword. Blue, red, and gold turn the violent instant into both image and navigational device.

Why this Judith matters

Made decades before the larger southern French leaf in this gallery, the page shows that medieval artists repeatedly embedded the decisive act within Bibles rather than reserving Judith for a single exceptional image.

Sources for this record:Cleveland Museum of Art object record ↗

“A Paris Bible makes Judith tiny but immediate: the sword crosses the initial while the sacred text continues around her.”

Narrative index

Primary catalogue placement: the act, Judith 13:6–8. The index organizes comparison; it does not claim that every visual detail comes from those verses or that the work touches only one episode.

Text and evidence

The passage behind the image

See the verses in parallel public-domain translations, then return to ask what the artist has omitted, moved, or invented.

Read Judith 13:6–8 →

Image information

Public domain / Cleveland Open Access

Cleveland Museum of Art, Open Access

Image reuse: Public domain