A small engraving shows Judith leaning over Holofernes inside an extensively detailed tent interior.
Full-screen viewing
A small engraving shows Judith leaning over Holofernes inside an extensively detailed tent interior.

Abraham Bosse, Judith and Holofernes, 1645

French Baroque printmaking · The act

Judith and Holofernes

Abraham Bosse c. 1604–1676

1645

Gallery label

Bosse gives the biblical tent contemporary furniture. Sacred history becomes intimate, reproducible, and available at the scale of the hand.

Look closely

Line distributes attention from bed hangings to vessels and textiles before arriving at the blade, embedding the killing in a world of things.

Why this Judith matters

Small prints ask what happens when spectacular violence becomes domestic and repeatable—a scene inspected rather than confronted.

Sources for this record:The Metropolitan Museum of Art record ↗

“Bosse gives the biblical tent contemporary furniture. Sacred history becomes intimate, reproducible, and available at the scale of the hand.”

Narrative index

Primary catalogue placement: the act, Judith 13:6–8. The index organizes comparison; it does not claim that every visual detail comes from those verses or that the work touches only one episode.

Text and evidence

The passage behind the image

See the verses in parallel public-domain translations, then return to ask what the artist has omitted, moved, or invented.

Read Judith 13:6–8 →

Image information

Public domain; Met Open Access

The Metropolitan Museum of Art

Image reuse: CC0 1.0