Michaelina Wautier’s Judith and her maid work together to lower Holofernes’s head into a cloth in a dark interior.
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Michaelina Wautier’s Judith and her maid work together to lower Holofernes’s head into a cloth in a dark interior.

Michaelina Wautier, Judith with the Head of Holofernes and Her Maid, c. 1650

Flemish Baroque · The head in the bag

Judith with the Head of Holofernes and Her Maid

Michaelina Wautier 1604–1689

c. 1650

Gallery label

Still held in a church rather than a famous picture gallery, Wautier’s canvas makes coordinated labor quiet, close, and weighty.

Look closely

The women lean toward the same burden, their hands meeting around cloth and hair. Light gathers on faces and forearms while the surrounding darkness protects the work of concealment.

Why this Judith matters

Wautier’s modern recovery demonstrates how collection type and cataloguing history can hide a major painter in plain sight. A church holding is not a lesser archive of the tradition.

Sources for this record:Sint-Waldetrudis Church record ↗

“Still held in a church rather than a famous picture gallery, Wautier’s canvas makes coordinated labor quiet, close, and weighty.”

Narrative index

Primary catalogue placement: the head in the bag, Judith 13:9–10. The index organizes comparison; it does not claim that every visual detail comes from those verses or that the work touches only one episode.

Text and evidence

The passage behind the image

See the verses in parallel public-domain translations, then return to ask what the artist has omitted, moved, or invented.

Read Judith 13:9–10 →

Image information

Artwork public domain; source marks the digital file public domain or PD-Art, but status may differ by jurisdiction

Sint-Waldetrudis Church, Herentals, via Wikimedia Commons

Image reuse: Public-domain source assessment (jurisdiction varies)