A monumental Judith in blue and white stands above Holofernes’s head while holding a sword.
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A monumental Judith in blue and white stands above Holofernes’s head while holding a sword.

Massimo Stanzione, Judith with the Head of Holofernes, c. 1640

Neapolitan Baroque · Display of the head

Judith with the Head of Holofernes

Massimo Stanzione 1585–1656

c. 1640

Gallery label

Stanzione turns the aftermath into a full-length public image: Judith’s body, costume, and sword command more space than the subdued trophy.

Look closely

Blue mantle, white sleeve, and exposed forearm descend in a clear rhythm toward the head. The low viewpoint enlarges Judith into an architectural presence.

Why this Judith matters

The canvas shows how Neapolitan painters could retain Caravaggesque gravity while moving from bodily action toward idealized, monumental authority.

Sources for this record:The Metropolitan Museum of Art record ↗

“Stanzione turns the aftermath into a full-length public image: Judith’s body, costume, and sword command more space than the subdued trophy.”

Narrative index

Primary catalogue placement: display of the head, Judith 13:14–16. The index organizes comparison; it does not claim that every visual detail comes from those verses or that the work touches only one episode.

Text and evidence

The passage behind the image

See the verses in parallel public-domain translations, then return to ask what the artist has omitted, moved, or invented.

Read Judith 13:14–16 →

Image information

Public domain; Met Open Access

The Metropolitan Museum of Art

Image reuse: CC0 1.0