Fede Galizia’s elaborately dressed Judith rests one hand on Holofernes’s severed head while a maid stands behind.
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Fede Galizia’s elaborately dressed Judith rests one hand on Holofernes’s severed head while a maid stands behind.

Fede Galizia, Judith with the Head of Holofernes, 1601

Lombard late Mannerism · Display of the head

Judith with the Head of Holofernes

Fede Galizia c. 1578–c. 1630

1601

Gallery label

Signed and dated on the sword, Galizia’s Judith joins luxurious precision to an uncompromising claim of authorship.

Look closely

Jewels, embroidery, polished blade, and curls receive near-miniaturist attention. The head sits at the lower edge while Judith’s calm hand and frontal costume control the encounter.

Why this Judith matters

Galizia’s repeated engagement with Judith predates Artemisia’s famous treatments and gives women’s authorship a longer, less singular history.

Sources for this record:Galleria Borghese record ↗

“Signed and dated on the sword, Galizia’s Judith joins luxurious precision to an uncompromising claim of authorship.”

Narrative index

Primary catalogue placement: display of the head, Judith 13:14–16. The index organizes comparison; it does not claim that every visual detail comes from those verses or that the work touches only one episode.

Text and evidence

The passage behind the image

See the verses in parallel public-domain translations, then return to ask what the artist has omitted, moved, or invented.

Read Judith 13:14–16 →

Image information

Artwork public domain; source marks the digital file public domain or PD-Art, but status may differ by jurisdiction

Galleria Borghese, via Wikimedia Commons

Image reuse: Public-domain source assessment (jurisdiction varies)