Judith raises a hand as if to silence or shade a candle while her maid crouches over the bundled head.
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Judith raises a hand as if to silence or shade a candle while her maid crouches over the bundled head.

Artemisia Gentileschi, Judith and Her Maidservant with the Head of Holofernes, c. 1623–1625

Baroque / Caravaggism · Escape from the camp

Judith and Her Maidservant with the Head of Holofernes

Artemisia Gentileschi 1593–after 1654

c. 1623–1625

Gallery label

The violent act has become a study in shared attention: two women listen into darkness while the hidden head presses upward through the cloth.

Look closely

Judith’s raised hand interrupts the light and extends the silence. The maid’s body protects the bundle; both faces turn toward danger outside the frame.

Why this Judith matters

Artemisia’s post-killing compositions are as radical as her beheadings. They center intelligence, teamwork, risk, and the duration of escape.

Sources for this record:Detroit Institute of Arts record ↗

“The violent act has become a study in shared attention: two women listen into darkness while the hidden head presses upward through the cloth.”

Narrative index

Primary catalogue placement: escape from the camp, Judith 13:9–12. The index organizes comparison; it does not claim that every visual detail comes from those verses or that the work touches only one episode.

Text and evidence

The passage behind the image

See the verses in parallel public-domain translations, then return to ask what the artist has omitted, moved, or invented.

Read Judith 13:9–12 →

Image information

Artwork public domain; source marks the digital file public domain or PD-Art, but status may differ by jurisdiction

Detroit Institute of Arts, via Wikimedia Commons

Image reuse: Public-domain source assessment (jurisdiction varies)