Judith stands at the opening of a tent while a maid receives Holofernes's head into a sack.
Full-screen viewing
Judith stands at the opening of a tent while a maid receives Holofernes's head into a sack.

Andrea Mantegna or follower (possibly Giulio Campagnola), Judith with the Head of Holofernes, c. 1495–1500

Renaissance · The head in the bag

Judith with the Head of Holofernes

Andrea Mantegna or follower (possibly Giulio Campagnola) attribution under study

c. 1495–1500

Gallery label

A poised exchange at the tent opening turns the severed head into an object passed between two women—and attribution remains part of the work's history.

Look closely

Rigid tent flaps frame Judith like a classical relief. Her arm makes a measured bridge to the maid below; coordination, not impact, is the subject.

Why this Judith matters

The cautious attribution is evidence of how workshop practice, replication, drawing, and engraving carried Judith's gestures across authorship.

Sources for this record:National Gallery of Art record ↗

“A poised exchange at the tent opening turns the severed head into an object passed between two women—and attribution remains part of the work's history.”

Narrative index

Primary catalogue placement: the head in the bag, Judith 13:9–10. The index organizes comparison; it does not claim that every visual detail comes from those verses or that the work touches only one episode.

Text and evidence

The passage behind the image

See the verses in parallel public-domain translations, then return to ask what the artist has omitted, moved, or invented.

Read Judith 13:9–10 →

Image information

CC0 open-access reproduction

National Gallery of Art, Washington

Image reuse: CC0 1.0