Soldiers recoil as they discover Holofernes’s headless body on a bed inside his opened tent.
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Soldiers recoil as they discover Holofernes’s headless body on a bed inside his opened tent.

Sandro Botticelli, The Discovery of the Body of Holofernes, c. 1470–1475

Early Renaissance · Discovery of the body

The Discovery of the Body of Holofernes

Sandro Botticelli 1445–1510

c. 1470–1475

Gallery label

The missing half of Botticelli’s pair restores the enemy camp: Judith’s graceful return has a simultaneous scene of male shock and political collapse.

Look closely

Tent flaps open like a stage curtain onto the foreshortened body. Soldiers crowd the threshold in varied gestures of disbelief while distant cavalry begins to register the disorder.

Why this Judith matters

Treating the pendant as one object tradition changes the interpretation. Deliverance and discovery, heroine and corpse, lyric motion and panic were designed to be thought together.

Sources for this record:Uffizi Galleries record ↗

“The missing half of Botticelli’s pair restores the enemy camp: Judith’s graceful return has a simultaneous scene of male shock and political collapse.”

Narrative index

Primary catalogue placement: discovery of the body, Judith 14:13–15. The index organizes comparison; it does not claim that every visual detail comes from those verses or that the work touches only one episode.

Text and evidence

The passage behind the image

See the verses in parallel public-domain translations, then return to ask what the artist has omitted, moved, or invented.

Read Judith 14:13–15 →

Image information

Artwork public domain; source marks the digital file public domain or PD-Art, but status may differ by jurisdiction

Uffizi Galleries / Google Art Project, via Wikimedia Commons

Image reuse: Public-domain source assessment (jurisdiction varies)