A monumental woven scene shows Judith handing Holofernes’s head toward her maid amid an elaborate Gothic tent and landscape.
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A monumental woven scene shows Judith handing Holofernes’s head toward her maid amid an elaborate Gothic tent and landscape.

Unknown weavers, South Netherlandish, Judith Taking Holofernes’ Head, c. 1455–1465

Late Gothic tapestry · The head in the bag

Judith Taking Holofernes’ Head

Unknown weavers, South Netherlandish active c. 1455–1465

c. 1455–1465

Gallery label

At more than four metres high, the private handoff becomes an enveloping public spectacle woven in wool and silk.

Look closely

Pattern, costume, foliage, architecture, and narrative compete across the surface. The severed head is not isolated against darkness; it is absorbed into a dense courtly world that rewards slow scanning.

Why this Judith matters

Tapestry changes the conditions of viewing. Judith could surround a room, travel with an elite household, and turn biblical victory into portable magnificence.

Sources for this record:The Metropolitan Museum of Art record ↗

“At more than four metres high, the private handoff becomes an enveloping public spectacle woven in wool and silk.”

Narrative index

Primary catalogue placement: the head in the bag, Judith 13:8–10. The index organizes comparison; it does not claim that every visual detail comes from those verses or that the work touches only one episode.

Text and evidence

The passage behind the image

See the verses in parallel public-domain translations, then return to ask what the artist has omitted, moved, or invented.

Read Judith 13:8–10 →

Image information

Public domain; Met Open Access

The Metropolitan Museum of Art

Image reuse: CC0 1.0