Giorgione’s Judith stands serenely in a landscape with one bare foot resting on Holofernes’s severed head.
Full-screen viewing
Giorgione’s Judith stands serenely in a landscape with one bare foot resting on Holofernes’s severed head.

Giorgione, Judith, c. 1504

High Renaissance · Display of the head

Judith

Giorgione c. 1477/78–1510

c. 1504

Gallery label

A bare foot rests on the head with almost no visible effort, making pastoral calm carry the entire moral and erotic contradiction.

Look closely

The narrow figure rises like a tree between dark foliage and distant blue landscape. Sword and exposed leg descend toward the compressed head, joining elegance to unmistakable domination.

Why this Judith matters

The painting now assigned to Giorgione helped establish the beautiful, contemplative aftermath that later artists would intensify, moralize, eroticize, or violently reject.

Sources for this record:State Hermitage Museum record ↗NGA catalogue note connecting the Raphael Judith with the Hermitage Giorgione ↗

“A bare foot rests on the head with almost no visible effort, making pastoral calm carry the entire moral and erotic contradiction.”

Narrative index

Primary catalogue placement: display of the head, Judith 13:14–16. The index organizes comparison; it does not claim that every visual detail comes from those verses or that the work touches only one episode.

Text and evidence

The passage behind the image

See the verses in parallel public-domain translations, then return to ask what the artist has omitted, moved, or invented.

Read Judith 13:14–16 →

Image information

Artwork public domain; source marks the digital file public domain or PD-Art, but status may differ by jurisdiction

State Hermitage Museum, via Wikimedia Commons

Image reuse: Public-domain source assessment (jurisdiction varies)